“Ma’am,
I have two questions, which are related to each other. The first question is divided into two parts,
the first of which is related to the third part of the second question and has direct
relevance to your assertion that……” by which time I had switched off, staring
at my fellow student in rather open astonishment.
Every
batch has its talented stalwarts: academics (who are the most uninteresting,
particularly those who stand shoulders above the rest), sportsmen, clowns,
sleepy-heads, drunks (called ‘bewda’s), late-nighters, gossips, Cassandras (in
my batch, the Cassandra was a male though and his eternal byline was ‘Be
careful’), dare-devils, the depressed-in-love-and-will-complain-to-you Devdas’
and the corpo (short for Corporate, ie, Goldman Sachs or McKenzie) type. Our batch had all of these, with this one
addition: a professional questioner.
Most
of us, when we strained ourselves to participate - for there were marks for
that - could only produce a question like, “Could you please explain that
again?” (the primary driver behind this question being that the Professor hopefully then remembered our name at the time of scoring Class Participation). “What are the topics for the exam?” was about
the most intellectual we could get. Hari – for that is the name that I shall
assign our professional questioner – was different. He asked a question, because it was not just
a question, but an inquiry, if you see the difference, a way of delving into
the recesses of something, and emerging breathless for oxygen at the end of it.
Hari
was one of the earliest students I befriended on campus back in 1989, possibly
because we both had (and still have, by the way) the same surname. I wasn’t in the same section as Hari, but over
the two years, there were courses that overlapped and, when I did find myself
in the same classroom, I’d wait for The Hand to rise, for it was fascinating to
watch. He came into his own in the right-brain classes – the ones involving social sciences, strategy, creative thinking
of any sort or shades of grey – and stayed right out of the quanti courses that
require in-built masochism and suicidal intent, in which respect, as you have
already surmised, we were both alike (but that’s where the resemblance
ended).
A well-built chap with curly hair and specs and
a bit of a loner, he had a particularly intellectual look about him as he strode
around the hostel block, taking large steps with a slight trademark stoop. His habit of taking his specs off and chewing
on the stem, while gazing penetratingly at the Professor only intensified the appearance
of an intellectual, and when he put his hand up to ask a question, there’d emanate
from the class a collective groan, for it meant that the next few minutes would
be spent in phrasing, paraphrasing, re-emphasising and adjudicating the
question itself. At the end of his
question, it was normal for the exasperated Prof to ask in mild irritation that
the question be repeated please and could it now be kept short, for the class
is only of an hour’s duration?
But,
it was when he invented a new style of financial investing that the World sat
up and took notice.
First,
a prelude. My class included the pre-eminent
Godfy, whose primary passion apart from academic excellence was to smoke the
555; indeed, when we referred to him as carrying six packs, it had an entirely
different meaning. Hari noticed with
astute attention - for he was a smoker as well - that Godfy tended to discard
his cigarette just a touch before it extinguished and was quick to have the
last smoke or two of the 555, something that hardly escaped the attention of
those jobless worthies (called ‘fatru’s), who then passed this priceless
information on to the gossips, who then relayed it to the finance whizkids, who
then looked for stocks that had long lost favour but possibly had one last
smoke left in them, resulting in a style of investing called the’cigarette butt
strategy’ subsequently promoted by mere mortals such as Warren Buffett in the
US and Harshad Mehta in India. But, make
no mistake, it all originated with Hari.
Sometime
late in the second year, Hari asked me if I would act in a play – a Greek
tragedy called ‘Antigone’ - that he intended to direct for a theatre
festival. The last time I had acted was
when I had pretended to be ill on seeing a particularly healthy, revolting dinner and on
that occasion Mum had clearly had her way.
So, there was, where the theatre department was concerned, a clear and present (and yawning) gap in my education, but Hari would have none of it, insisting that I
fitted the part like a glove. In retrospect, one thinks that there was only one glove on the rack, so he just made it fit. Once into it, I realised, with growing concern, that he had slotted me into the role of an
important chappie in the play, probably the most important fellow in it and
there were pages and pages reeking of medieval stuff to be mugged.
I
decided to be the questioner in this case and use his key skill against him,
create enough nuisance for him to say, ‘Let thy be out or whatever’ but before
I could get my act together, he asserted that I was to kiss the lady
protagonist on the cheek and that was when the true horror of what could follow
struck me in the pre-frontal. I imagined
the hooting while I was on stage, all engineered by garrulous, raucous, fatru,
entirely worthless classmates who lived for a laugh and couldn’t empathise to
save their grandmothers. I imagined
raunchy comments and ‘once-more’ calls.
I imagined subsequent months on
G-Top in the company of my best friends, each of whom was, beer in hand,
recounting how I had messed up the most rudimentary of tasks while they were
all trying to help in the audience.
Those
were the days when it wasn’t uncommon to have wild elephants a couple of
kilometres from our campus on Bannerghatta Road and, if you had asked me if I
preferred being left amongst them to this dreadful fate, I might have thought
deeply and weighed the options.
So,
I went up to Hari and said, ‘I am dropping out of the play’. He asked me to take on a side role instead –
say, one of the Second Guards, where all you had to do was to stand at
attention and take away the dead bodies when the third scene ended - and I
continued with a ‘No’.
When
the play was finally staged, I was in the audience alongwith my garrulous, raucous,
fatru, entirely worthless classmates and happily one among them. We all gave Hari a standing ovation, though
none of us had a clue on what the play was about.
The
ovation had a clear reason: for while the play was being practised and
perfected, Hari had missed a number of classes and, in turn, many questions
each of which would have had parts, sub-parts, conjunctions, prepositions, contradictions
and dilemmas.