If you have been a Wodehouse fan and know of Aunt
Agatha – the one who eats broken glass for dinner and has been known to maim
people for life with an unspoken word – it will gladden your heart to hear that
I had an aunt made in that mould (which word, as you know, could mean fungus as well. English is a funny language, but any such resemblance would be utterly coincidental).
Her name, as I
shall now amend and christen, was Aunt Susheela.
Aunt Susheela was (for she is no more) a legend in her
lifetime. A dumpy, rotund lady, with
thick spectacles, she spoke in short, rapid bursts – the analogy to gunfire is
entirely appropriate – in a tone that varied from the blunt to the censuring
and, on suitable occasion, to the hysterical.
The impact on humanity in the city in which she lived was most
devastating: street vendors otherwise known for their aggression would cower
and plead, maids would walk faster once they reached the floor on which she
stayed, lest they were made an offer of a job they couldn’t refuse, taxi
drivers – of those days, in the
black-and-yellow ambassadors - would be
hushed into a petrified silence and so on.
You get the picture.
Yet, none of
this language equalled, or even came close to, what must have been the most
frightening stare of all, an unspoken, unblinking, malevolent glare that was
the first catalyst for climate change, for it was known to melt glaciers.
There she’d sit, by the large window in her living
room, shaking her knees in a rhythmic way and fixing you in the spotlight as
parts of your body seem to disengage and shiver independently. Her husband tried hard to work late, run errands and keep himself busy outside the home. Being a gentle, warm sort – the classic Lord Elmsworth of Wodehouse
– he was accommodative and understanding, yet that empathy seemed to have little
effect on Aunt Susheela. Indeed, his
spirit of accommodation in larger family matters only seemed to have pulled the
trigger on occasions, engendering volleys, barbs, sarcasm, innuendo and rancour that would unsettle a Donald Trump.
The only person who seemed entirely inured to
her stare and verbal assault was a faithful manservant who did all the cooking
and about everything else (for Aunt Susheela did, in a nutshell, nothing). He must have been secretly deaf or dense between the ears to be this immune to what can most politely be called
feedback, and, under the circumstances, it was an asset to the family to have him.
We met the family typically once a year when I was in
my young, formative years (I am now in older, formative years), and I learnt to
spend the day in their home giving the Rock Star a wide berth. When I did make a public appearance, it would
be by clinging to my mother’s sari. In
those years, Aunt Susheela seemed to have some fondness for me, if a rapid
volley of statements and instructions followed by a smile could be termed fondness, but I had once seen her go
after her son with a kitchen knife, so it was best to wear a helmet at all
times and go for the bunker. I
understand from family lore – we need more of it – that my father, who was considered
to be the senior statesman, had a sobering effect on the aunt, for when he was around, she seemed to be a
trifle constrained, held back on a cloth leash, if you see what I mean but such
setbacks were temporary and piffling in nature for what I have termed, post
facto, a cask of trinitrotoluene talent.
Among her unusual traits was a certain parsimony: she'd ask my mother exactly how much each of us would eat for lunch or dinner –
and exactly so much would be made. Now,
this is hugely appreciative, for wasting food isn’t high on anyone’s
agenda. Yet, this also meant that if,
like Oliver Twist, you asked for more, you would receive a stare that would
instantly fill your belly; you’d then find yourself lowering the head and pleading
silent forgiveness. The family trunk we
carried always had emergency rations - biscuits - to tide over this
unforgivable lapse in assessment of need.
In later years, she took an active dislike to me for reasons that I shan't labour on, and, recognising that I was now in
august company of about a million people, I chose to keep it that way. Thankfully, all interaction – the stare and the short, rapid burst, followed by serve and volleys – ended. Yet, meeting other family members, all of
whom were most amused, if not somewhat concerned by this path of avoidance that
I took, kept me fully informed of Aunt Susheela’s current state of tongue
motility - lashes per second for the uninitiated.
Much later in years, I had a nightmare in which I visited
their dwelling. In this horrific
experience, I was in Aunt Susheela’s house, seated uncomfortably on the edge of
the sofa with another relative, while she stared unblinkingly at me with
malevolence, her pursed lips holding back vitriol and the fingers clenched
around an imaginary throat. About ten
minutes later when I awoke with a fright, it was unsurprising to know that the
knees were rather liquid inside and the heart was doing a lively gig. For such was the legacy of the legend.
And, that was when, in a flash of inspiration, I
developed the now world-famous (and patented) Stare Index, which measures
intensity of stare, the unit of measurement being – as you have no doubt
rightly guessed – the Richter Scale.
My friend, Jams, has a poster in his office room,
right behind his chair, so that all who sit in front of him see it. It says, “Everybody brings joy to this
room. Some when they enter and others
when they leave.” When I learnt of Aunt
Susheela’s demise, a silent obit that formed itself in my head took its
inspiration from that risible piece of literature.