April 2010
Bangalore is an exasperating city to travel within and I have hitched a ride, run a fair distance, taken an auto and then run again to the gates of the Chowdiah Memorial Hall in breathless anticipation. I am in luck; there are tickets available. I buy one for five hundred rupees and rush up the steps. It is ten past seven in the evening when I flop into my seat, exhausted.
The musicians, a small handful of them, are assembled on stage, waiting for the Master. I have never seen him before in flesh and blood, yet have long been besotted with his voice, its elegance and versatility, its range, depth and pitch. My earliest memory of music at home, circa 1970, is listening to a record on a new record player, playing his lively, almost hyperactive, song from a now-forgotten film, Bhoot Bungla; it is a song that I grew up with, a part of my treasure trove of memories from childhood far far away.
My reverie is cut short; the Master shuffles onto the stage, as the audience rises to a standing ovation. It is a motley group of people here, largely middle aged and elderly and I (though officially middle aged) feel out of place. He makes his way to the middle, barely acknowledging the crowd, to where his harmonium has been kept and takes his seat deliberately, as the applause dies down and the crowd waits in anticipation.
In the silence that follows, the harmonium begins to play, guided by a practised, magical touch and, as the Voice begins to sing ‘Aey Malik tere bande hum’, I feel a lump in my throat, for the years have dropped away and it seems much like the original recording a half-century ago.
Manna Dey is now 91.
In the ensuing couple of hours, plagued by a bad throat and an indifferent back, the old man struggles to keep his composure and his famed temper. Yet, with every song that he begins, the trials of the World fade away as the eyes behind those large, benign spectacles focus on the distance, on a World that he once commanded as only he could. On a different World, when the best music directors requested him to sing songs that all others couldn’t. The magic continues on this day as well: when a song’s pitch reaches a crescendo, he holds his own, and the fans gasp in bewilderment. People who live to his age find it hard to speak; Manna Dey sings, and how!
The moments in between his singing are punctuated by good earthy humour, supplied in ample measure by the compere, Khurana Sahib, whose fluent Hindi, immersed in Urdu, is of Sixties vintage. Together, they make an odd couple, a legendary singer and his compere, in the evening of their life, holding their own in India’s most contemporary urban space. The audience demand an encore, but he is too tired to oblige. The Master stands up, does a Namaste and shuffles off the stage as every person in Chowdiah Memorial Hall applaudes with admiration, respect and awe.
At the end of a magical evening, I walk away knowing that this legend will always live. It’s a nice feeling.
Bangalore is an exasperating city to travel within and I have hitched a ride, run a fair distance, taken an auto and then run again to the gates of the Chowdiah Memorial Hall in breathless anticipation. I am in luck; there are tickets available. I buy one for five hundred rupees and rush up the steps. It is ten past seven in the evening when I flop into my seat, exhausted.
The musicians, a small handful of them, are assembled on stage, waiting for the Master. I have never seen him before in flesh and blood, yet have long been besotted with his voice, its elegance and versatility, its range, depth and pitch. My earliest memory of music at home, circa 1970, is listening to a record on a new record player, playing his lively, almost hyperactive, song from a now-forgotten film, Bhoot Bungla; it is a song that I grew up with, a part of my treasure trove of memories from childhood far far away.
My reverie is cut short; the Master shuffles onto the stage, as the audience rises to a standing ovation. It is a motley group of people here, largely middle aged and elderly and I (though officially middle aged) feel out of place. He makes his way to the middle, barely acknowledging the crowd, to where his harmonium has been kept and takes his seat deliberately, as the applause dies down and the crowd waits in anticipation.
In the silence that follows, the harmonium begins to play, guided by a practised, magical touch and, as the Voice begins to sing ‘Aey Malik tere bande hum’, I feel a lump in my throat, for the years have dropped away and it seems much like the original recording a half-century ago.
Manna Dey is now 91.
In the ensuing couple of hours, plagued by a bad throat and an indifferent back, the old man struggles to keep his composure and his famed temper. Yet, with every song that he begins, the trials of the World fade away as the eyes behind those large, benign spectacles focus on the distance, on a World that he once commanded as only he could. On a different World, when the best music directors requested him to sing songs that all others couldn’t. The magic continues on this day as well: when a song’s pitch reaches a crescendo, he holds his own, and the fans gasp in bewilderment. People who live to his age find it hard to speak; Manna Dey sings, and how!
The moments in between his singing are punctuated by good earthy humour, supplied in ample measure by the compere, Khurana Sahib, whose fluent Hindi, immersed in Urdu, is of Sixties vintage. Together, they make an odd couple, a legendary singer and his compere, in the evening of their life, holding their own in India’s most contemporary urban space. The audience demand an encore, but he is too tired to oblige. The Master stands up, does a Namaste and shuffles off the stage as every person in Chowdiah Memorial Hall applaudes with admiration, respect and awe.
At the end of a magical evening, I walk away knowing that this legend will always live. It’s a nice feeling.
Dear Gopa
ReplyDeleteIt is wonderful to read your blogs..Have been able to connect to all of them..especially this one as Manna Dey is one of my favorites too:)I love his songs--Aaj se pehle,Gori tera gaon bada pyaara,ek chatur naar--he is iconic!!Long Live Manna Dey!
Cheers
Peony:)
This is really touching...
ReplyDelete